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Body Count's rage and shock humor sparked nationwide protests and boycotts
Ministry mainstay Al Jourgensen got a taste of bitter record-biz backwash early on with his first major label bow for Arista (1983's With Sympathy)
about their shared interest
from the formative Uncle Tupelo recordings through the mold-breaking Yankee Hotel Foxtrot to latter-day gems Star Wars and Schmilco and beyond
Public Enemy's It Takes a Nation of Millions to Hold Us Back punk franco Body Count's rage and shockChristopher R. Weingarten provides a thrilling account of how the Bomb Squad produced such a singular sounding record: engineering, sampling, scratching, constructing, deconstructing, reconstructing even occasionally stomping on vinyl that sounded too clean. Using production techniques that have never been duplicated, the Bomb Squad plundered and reconfigured their own compositions to make frenetic splatter collages; they played samples by hand